This article introduces experimental artists’ books created in the interstices between technology and tradition. The series of books are created by utilizing scraps produced via flexographic label printing. Each book is constituted by means of the accumulation of paper on the machine, andintroduces a never-ending page structure and swirling formation as a result of the continuous roll,. The work is an inquiry on growth, imperfection, form and time, enriched by the impact of mechanical processes that are inherent to the creation of the book. It also investigates experimental uses of printing and paper cutting mechanisms.
Keywords: Flexographic Label Printing, Artists’ Books, growth, imperfection, form